tyke - the newest signing to grid recordings drop his debut ep >the music makers<, and its an absolute smasher. a mixture of huge dancefloor d&b with a warm analogue sound and more experimental cuts this debut solo project on grid marks the arrival of a very exciting new talent.

psq005 is furesshus follow up 12 inch release to last years trio of tracks (psq002) that garnered attention from ben klock, sigha and marcel dettmann, who continues to play out his music regularly. furesshus bleak and powerful remix of l-ow (psq003) has been criminally under appreciated, and now his second 12 inch on project squared (psq005) will showcase a more house influenced, but still techno at its core, sound with >lucid< and >all i want<.

edu continues to demonstrate his personal artistic development on niquel. staying loyal to his unmistakable groove, he explores a more a progressive and melodic style and sound. diynamic artist david august again shows his midas touch. with a simplicity that belies its effectiveness, david plays heavily on the melodies, creating a most precious of remixes. quite different, yet equally as impressive is the remix from dosem. beautifully emotional, and laden with synths and semi-acoustic guitar lines, it is a mix for the purists, without a doubt

lost&found is einomas new ep, out in february 2011 on shipwrec. the record features one long new track on the a-side as well as two older and previously unreleased pieces for the b-side. the main track >bla< was conceived after editing real-time and live sessions made for gigs after the release of last years >tvenna< ep. the sound material >bla< was initially made from was quite old and the idea and title of the ep >lost and found< came about, reworking of older ideas in a new setting. the a-side demonstrates the more dancefloor side of einoma while the b-side explores the more dark and dense regions einoma have become more known for.

out of the depth of beatsports soul, influenced by all apes on mother earth here it is - the third release of kassel based label bespmusic. >in apes we trust vol. i< is a classical v.a. and shows the spirit of the label and some of our freshest artists incl. a track of andomat 3000. his >ricky house< is a complex housetune with a lot of drive and funkiness. andomat is a class of its own and let it sound raw, the dominating claps are pushing and the vocal sniffets keep it always rollin - massive!

sampler 12 inch of tom tragos upcoming album >iris<! leading up to tom tragos debut album >iris<, to be released april 2011, comes this three track sampler. the tracks featured here show the diverse nature of the album, which can be best described as a futuristic soul album. after releasing his double ep >voyage direct<, early 2009, tom has spent the last two years finding his signature sound. the outcome of this search has resulted in >iris<. where >voyage direct< was his homage to disco, >iris< deals with all of toms musical inspirations. shaping these inspirations into a new sound and creating an exciting mix is where tom really succeeds. the three tracks on the sampler all deal with merging the old with the new. >being with you< is a match made in heaven between electronic music and r&b, >space balloon< lets disco and funk make love in a spaceship. what you do is a future version of late 80s chicago hip house, which features tyree cooper (who, together with fast eddie, invented the genre).

detroit lands in (o meets - come preferisci) rome! although being a canadian, greg gow is a one of those few artists who can proudly be considered part of the d25, the elite of classic detroit sound. after having produced on labels such as the legendary transmat, run by derrick may, greg has finally joined the 7 oz records family with the santa clara ep.two tracks (santa clara and resurrection) with a resolute traditional detroit flavour, where the peculiar strings and soulful groove are reshaped with a contemporary and powerful rhythmic section.

just a few minutes till impact. final approach, three, two, one… stephan bodzin and marc romboy aint no astronauts. they are first and foremost musicians, producers and long time friends. both would admit that arguing and talking music is as important as making it. together with their own long running imprints, systematic recordings and herzblut recordings, they have proven how to build up a distinct label sound. however, similar to some well-known astronauts, the word >luna< has a very special meaning to the musicians because its the name of marcs daughter and coincedently that of stephans wife as well. therefore it had been the obvious choice when they were looking for a fitting title name back in 2005. six years on, and the project nears its final touchdown and is honored with a an outstanding vinyl-set of six records!!! 16 different producers from all over the world take you to a musical orbit, starting in germany with moritz von oswald (basic channel, rhythm & sound), dominik eulberg, chris liebing, oliver huntemann, martin buttrich (desolat), roman flügel (dial) und robag wruhme (pampa records), continuing with speedy j (plus 8) from the netherlands, minilogue from sweden and even abe duque and brendon moeller from new york from the u.s.a.. an electronic transmission from the moon to the earth takes a little more than one second to cover the distance. but when listening to >luna<, you wont dare to think in minutes or seconds ignition sequence start, trois, deux, unité!

after having hit the dancefloors with hydra (weave-26) we are proud to unleash another techno monster by spektre. these 2 guys have travelled the globe in the past years performing their live show, to rapturous acclaim. the versatile experiences they made & still make during their international appearances are constantly improving their own productions. spektres big explosive sound has gained massive respect & support and even the biggest of the big like sven väth, dj hell, dubfire, laurent garnier & many more are not sparing with praise. the title track of weave-34 synapse is stacking up an intimidating amount of industry knowledge and skill between them, the latest spektre-monster is storming from strength to strength, taking no prisoners - it can definitely be called a weapon! and as if this wouldnt be tough enough already, weave-34 delivers even more state of the art techno by offering 2 killer remix versions coming straight out of the noisemaking machines from italys young-gun flavio diaz and pig & dan

dj pepo presents: inspired! pepos own label to release his consistently evolving techno sound. dj pepo is one of the pioneers and most quoted djs of spains techno scene. each booth pepo touches with one of his naturally electric sets is filled with both rhythm and force, dazzling audiences all over spain. speaking of pepo is to speak of an authentic reference of spanish electronic music who has had a hand in the scenes history and evolution. he is a time bomb in the shape of music, getting richer with age and improving on each and every set with unexpected technical manuevers that jolt audiences alive and bathe their senses with musical delights. this release is another showcase of his pumping big room techno with the sharp edge, this time backed up by 3 tracks from his friends dj stay, dj lizana & smull and last but not least joton from the new rhythmic record store and label! dont sleep over this one!

skeeta is dead e.p. ft 4 wikid tracks, dj skeeta returns the deathchant flavour!

two tracks from local l.a. artists / djs santiago salazar and roque (subversive) hernandez that showcase the fundamental aesthetic of the modern classic. a side, izalco, is a deep composition that contrasts the classic sounds of chicago, new york and berlin but reinterpreted to represent the sound of the here and now. b side, retiro, is a brilliant, epic piece that brings to mind the l.a. coastline and its endless horizon -- beauty at its finest.

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

malachais deb³talbum >the ugly side of love< war das au?ergew÷hnlichste und beste album, das aus der exzessiv kreativen szene bristols in 2009 hervorgegangen ist. dass das neue album >return to the ugly side< nun wie sein vorgõnger genau 14 prõgnante songs in prõzisen 35 minuten umfasst, sei dem puren zufall geschuldet, erzõhlt gee, der charismatische frontmann mit der schleppenden sandpapierstimme. dar³ber hinaus gibt es aber durchaus unterschiede. nat³rlich. >return to the ugly side< ist viel stõrker als das erste album von den hip hop-wurzeln der beiden bandmitglieder geprõgt. >der sound ist sehr viel runder geworden ohne dabei zu hi fi zu sein<, so scott. malachai, in ihrer leidenschaftlichen dualitõt - scott/gee, melodie/beats, vergangenheit/gegenwart, furcht/hoffnung, hõ?lich/sch÷n - sind ein neuer klassiker s³denglands geworden.
inklusive code f³r freien mp3-download.

das macht den mocca rund und die zuchtmoewe platt was der herr ataneus da so zusammen geschraubt hat. konsequent praesentiert er seine definition von feinstem techhouse miteinem hauch emotionen und einer ordentlichen priese dub. zum zweiten mal ist nun schon der bulgarische sound-jongleur zu gast auf ackerdub und hat hier wirklich ein meisterwerk der elektronischen tanzmusik mitgebracht. fette scheibe bleibt einem da nur zusagen

strait out of bass camp, vicious audio begins its assault with a massive single by triage. two big tunes carved with the signature sound that has brought the group to the front lines of battle. drawing inspiration from their drum and bass roots, >comorbid< is a nice roller stabbing you with snares and punching you with bass. if you survive this, the evil flip side >play dead< will slap you around with some heavy, twisted, subsonic madness.

toller spaß techno mit sound aus den 40ern

first on decks.de! limited white coloured vinyl.
aspekt strikes back with their actually release. the new great 4 track ep >good things< by mike wall & ixel, contrast itself with a great and special minimal sound. >inicio< on side a sounds tempting and mysterious, minimal-house with a touch of deep. the remix by alex q & match hoffman is an excellent deephouse number mixed with minimal accents, which animate to dance. with >undromeada< and its marcio kantana remix the listener can expect great tech-house with playful melodic sounds with which you cant sit still to. awesome record for the dancefloors!

we are pleased to announce the debut release of a young producer from the uk, bnjmn. his adventurous electronic sound is one we haven t heard in a while, and excited us on first listen. while on one hand his music has a traditional sound (early 90s uk), bnjmn does create a world of his own due to the versatility in his productions. it is this versatility that creates an exciting hybrid sound, therefore pushing the envelope and making it sound very current, future even

>13.0< is the reduced title of the original track, which reflects as well the puristic approach of the sound. oldschool manner meets analog waves on swinging grooves, that cleares the way across the galaxy. gabriel le mar pitches down the velocity and touches down on the magical fairys planet! his silver bullet is the game of dice and conjures the fairies with an ocean of moments in happiness, what ends up in joyful dancing. playing games has ever been his passion! the trip goes on in low level flight mode. the smalltown collective offers clearer strings with a dose of deepness. on his remix of >29.0<, steve coles shoots the fire with wide-opened claps and crunching the gear, while spreading the music by the machine into the width of the universe.

miguel is a new man on the block from czech republic, playing techno along with progressive and anything with a groove. here he presents a great idea along with sky flowers, 2 very sexy slower techno tracks that ooze quality. to accompany this great idea of tracks yin yang asked 2 of its more established remixers - mikatech (dj mika) from the former yugoslavia, well known for his hard groove tracks, mika is now making a huge name for himself with a slower but very sexy techno sound. vincent mallvile the parisian that does not hold no punches. french techno, yes please! vinny boy has also done the deeds with his remix. again another excellent package of techno from yin yang. will fit in any techno djs collection. be it from warm up to end of set (if you play the slower sound of tech). played by cristian varela, pedro delgardo, paco osuna, anderson noise, jermome baker, trevor rockliffe, lars klein, wyrus, scott project, dj felipe, mark sherry, ruslan mays, vortechtral, reaky, dastin, roman zawodny + lots more!

tal m. kleins >house on the left< is the second single from his forthcoming exhaustasaurus lp. the name of the composition implies the track is left-field of house. jazz guitars lead the way for brooding pads and syncopated synths over deep beats. in short: a great moody tune!
comes on special coloured vinyl, somewhere between marbled and picture disc - a true beauty in sound & looks!

nice price deal !!! along with the tracks from the ep all of the >in arms< remixes have been getting great coverage amongst the blogs and online editorial sites including placements on nme, guardian, gigwise, ilikemusic, virgin, spinner & rcrdlabel. currently supporting chapel club on their tour.

vibrations 002 comes from lhas, aka jaime read, who is here to show all these new old-school house heads precisely where to step off. a longtime cohort of foolish felix, who was horribly ripped off by a chicago legend (just google it) and the man to go to when you want _that_ vintage synth sound spotted, jaime knocks out four tracks that arent retro – they are timeless. from the classic chi-jack of >learning to live< to the swirling syncopation of >call that jazz<, these four tracks eschew rigid programming and live, breathe and ooze musicality. no remixes, just 100% lhas.

a sound odyssey to stir you through the night. on the flip you will find reset robot adding weight to the undercurrents of the original and giving it a heavier, industrial point of view.

limited copies! very unusual sound for exploited, very cool deep disco madness! total electro free ...

the man called leftside wobble raises the heat and delivers two top quality reworks on autodiscotheque continuing the imprints journey into the disco influenced proto-house sound. leftside wobble has emerged as an exciting new dj and producer on the back of the massive hype created by his genre-hopping dj edits and mixes that are posted on his self titled blog. followers of the wobble sound now include music aficionados and dj legends like greg wilson, mr scruff, the unabombers and rob da bank and his web following is ever growing.

dokument .01 features two tracks of beatless inner city industrial ambient. >strung valve checkout< is a gorgeous 11 minute sequence of piano-fuelled drones. >dada fish sticks< is equally affecting, a lulling industrial classical mesh of sound with hints of melody. what makes this release particularly special is the combination of talents behind the music. dadavistic orchestra is a collaboration between the black dog and 3 former members of the psychick warriors of gaia. both are recognised innovators in electronic music who have been hugely influential and popular throughout their careers. the two groups have been close for many years, and their musical collaboration has evolved over the last year, with dokument 1 being just the first work to be released.

this is 2nd single cut from the debut album of mr raoul k >introducing my world<. album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side is a title track of the album. its a typical raoul’s unique african minimal house. b side,>africa< is more musical song which is mixed the sound of traditional african instruments and chorus.

this is the first single cut from the debut album of eddie c, which will be released in march on endless flight. eddie c is one of the best new comers of the nu disco scene in 2010. the title track of a side, do it yourself is a philly disco sound. there are no new things but this track will be a timeless dj tool in your disco set. pain inside on b1 is slow house stuff with a 70s soul voice loop. dub me gwen on b2 is more electric modern boogie disco style

what a journey! well, these guys have been around for a while- they have gone through: rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, handmade music and soul. all those nights at clubs, the records, the shelves, the dirt in the second-hand record shops, the stacked audio- and studio magazines in their toilets or elsewhere in the house, the hours spent making their own radio-shows, hundreds of hotels checked in and out of, dozens of sound-checks done. last but not least, the revivals, the subgenres, the fusion - well these peeps have given real influential input into some of these (sub)genres in the past. >lovin< is the second single release of the upcoming >alex and the grizzly< album which is due out in april 2011. alex barck is on the vocals together with lois longerling, who is known for her work with dollkraut. andre lodemann delivers a smart remix giving the tune his trade-mark sound and putting onto the house-dancefloors. prommer and barck are on tour with their own live show.

the title track >juneau< comes at you with force, grace and a warm low end perfect for a late night or an early morning. pier bucci and crazy larry aka glacier really work the knobs and controls to create a melodic yet refined sound. this is definitely the most emotional track on the release, usually evoking quite a response from the dance floor. play this at the right time and you will have a smile on your face for sure.

in just three years, berlin based artist dehnert has gone from unknown talent to underground hero with his very own >raw techno< sound making waves on labels like his own imprint fachwerk and now delsin, where he finds himself at home amongst the future music of talented cohorts redshape, a made up sound, delta funktionen and more. this ep is an introduction to his upcoming album framework - an uncompromising album made up of pure techno tracks of the sort youd expect to hear on the dancefloors of places like berghain or tresor. they go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. although his tracks are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious basic channel and berghain influences, mike dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

eminor 29 again comes up with massive minimalist techno.
coeter one & dubit - granatapfel - bring together a german and an italian sound designer and you get an experimental mixture of drums and carefully quantized grooves. the minimalistic framework of >granatapfel< is teamed up by vocoded vocals and an unique break which leads majesically from confusion to musical order.
scalameriya - ridley - by the serbian techno-guru scalameriya has a fast and pushy bass-dominated rhythm, an almost factory-like precision and a compulsive eye on the floor.
granatapfel - re:axis s going down remix - the remix of portuguese duo re:axis is less stripped-down than the original. with its thrilling melody, re:axis manage to give the track an epic touch.

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

more killer output from the skudge factory. below is a brand new side of refined diva haunted techno, while phantom bites like it was designed specifically to turn berghain inside out..huge sound. tip!

nocturbulous is proud to present his 2nd release. qubo will be feature from label owner himself, jean bruce with two exclusive remixes, from andr dalcan and david carretta. the sound is again under 80s and early 90s influences. qubois now ready to make the dance floor burn

so … the story goes something like this: being inspired one day by 69 >desire<, vince decided to create an interpretation of it using his own unique sound. the track was done very quickly as a gimmick to send to carl craig as a mark of respect for his own track, now the track has been signed by carl for planet e and the world will now hear that very 12 minute piano and string filled beatless gimmick that is proving to be vinces most musical piece to date. its epic stuff. flipmode with >qualia< which takes off where vinces fcom material left off. deep driving hypnotic dancefloor material with an orchestra thrown in for good measure.

the fifth release of >lets get lost< which is started by mule musiq and force of natures kza. this new release is by jd twitch from optimo. when jd twitch travelled in south america, he has found out a lot of an excellent cumbia stuff. cumbia is latin music in colombia. basically cumbia music dont have a sound of drums. rhythm of cumbia is almost composed by some of percussion. jd twitch added drum sound to make more mixiable dj tool version. enjoy the unique selection from jd twitch

roman ruins is the brainchild of graham hill. his sound combines elements of indie pop, electro-shoegaze, and hip-hop. draped in structure, you will most certainly count yourself among his legion of fans after landing a copy of the inaugural gold robot records release.

>corky< is the third ep from brand brauer frick on tartelet records and features a remix from tartelets own james braun. music has always been the defining core of tartelet records. this may seem like an obvious statement, but that was the very reason why it hit us like a ton of bricks when we receivedthe first demo from paul frick and his new band around two years ago you might say that the brandt brauer frick sound touched on a vibration that had been lurking in our musical subconscious. we ll resist the temptation to wax lengthy or lyrical about >corky< instead, we suggest you have a listen and let yourself be seduced by its panoramic echoes and pumping bass drum. hop aboard an odyssey that leads brandt brauer frick through the technoid city of detroit. its a fine ride indeed.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

wir freuen uns das neue jahr mit ihm beginnen zu können. nach seiner sagenhaften single coconut blues istgabriel ananda zurück auf treibstoff! der titeltrack love attack hat die für ananda typisch erdigen grooves. streicher bereiten den weg zu einer organisch anmutenden bassline und nehmen uns mit auf einen emotionalen glückstrip. open up ist ein sehr trickreiches stück techno und entwickelt einen unfassbaren sog, der den raum zu einem vakuum werden lässt. für den remix von open up hat sich treibstoff den stuttgarter till krüger beim befreundeten label 200 records ausgeliehen. mit seiner version wählte er diesmal nicht seinen schnellen detroit-sound, sondern lässt die original-sounds in einem gewand erscheinen, daß mit seinen dubs an die legendären gas platten von wolfgang voigt erinnert.

recorded in the winter/spring of 2009, first released in june 2009. at the time i called it my failed kompakt techno experiment, i started out with that minimal beat in mind but ended with something different. the title was the first thing i started with after watching some miss helen mirror on tv at the period, still love the title really. songs became longer and i discovered the delay while recording. this second record was the first one were i started settling on an sound of my own. some weeks after recording the screaming girls on the last track during their sunday afternoon youth group activity a baby fetus was found on their field with the mother being one of the girls

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

manchesters tomson & benedict with a fresh deep house vinyl... inspired from 90s old school house sound , 90s us garage house and classic chicago house records too

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

london grime producer swindle follows up his incredible planet mu ep with another slab of funked-up grime, this time for a rapidly expanding rwina records. swindles return marks a slightly stripped-down sound: the funk is meaner, heavier, and nastier. >playground< grooves on rainbow synths and leisurely, drawn-out melodies, as a boogie bassline carves memorable phrases in the ground below. all of this is shoved in an approachable halfstep template that means the track could just as easily slot into any dubstep set as the grime scene in which swindle dominates. did we mention theres a killer freestyling organ solo in the breakdown?